Elric of Melniboné, that is. Elric was a creation of SFF writer Michael Moorcock and made his first appearance in 1961, in a novella titled “The Dreaming City” in the pages of Science Fantasy magazine. More stories followed later in the 1960s and eventually they were compiled, with added material and edits, into a a …
Iconic female characters for SFF are hard to find… and by iconic I mean they will be easily known by any reader with a good knowledge of the field even if rendered by disparate illustrators. Elric of Melniboné, who was in last week’s post, is one: armored albino man with a sword. Molly Millions, who …
My heart burns for you.
Toxic, perhaps, and firing on all cylinders.
It’s not only the translations of One Thousand and One Arabian Nights that have changed over the years; illustrations of the classic have changed as well. The oil painting Alnaschar’s Fortune, by William Ewart Lockhart, embodies a realistic, dramatic Victorian style, but starting in the 20th century, children’s book illustrators showed a move towards abstraction …
Some kinky, Aubrey Beardsley-like shenanigans are going on in this Arabian Nights illustration by early twentieth century book illustrator Kay Nielson. Not for kids.
One Thousand and One Arabian Nights is a treasure trove of literature of the fantastic. I’ve randomized its pseudo-Arabic names and places here, and the titles of the stories themselves also make for an interesting randomization stew. They stick to a simple formula of “Tale of the Something” or “Something of Something” repeating elements such …
Oliver Ledriot’s sneering Black Queen is all a Faerie villainess should be.
Some months ago I decided to write a short story featuring a genderqueer, nonbinary protagonist to see, in part, how it could, and should, be done to make them human and relatable. The SF book above, released in 1992, did it by creating a new pronoun for the titular character: Cry. Cry was the pimp/madam …
I did not think too much of Richard K. Morgan’s fantasy novel The Cold Commands, but I do admire the care the author put into his naming systems for the trilogy. Each culture of his universe — Kiriath, Yhelteth, League, Majak — has its own naming conventions, and all are distinct from each other and …