Worldbuilding Wednesday 11/22/23: Myths of Ancient Greece

Jupiter and Thetis

Jupiter and Thetis, by Dominique Ingres (1811)

Pretty much all fantasy writers are familiar with Greek myths, or they should be: they’re one of the unfailing constants of Western Culture. The Iliad, which told of the fall of Troy (and the Trojan horse.) The Odyssey, about the hero Odysseus’s epic journey to find his way home. Theseus and the Minotaur, Icarus who flew too close to the sun, Pandora’s Box… these are but a few.

What’s little known, however, is that the contents of these myths varied from age to age, teller to teller, sprouting countless variations like the heads on a Greek hydra (another myth.) For example, in one myth the gods Athena and Poseidon were rivals to rename the city of Cecropolis in their own honor, depending on whose gift was more valuable to the citizenry. Of course Athena won, which is why the city is called Athens, but whether she won because Poseidon’s gift of a spring was too salty (in one version) or her gift of an olive tree proved more useful than a horse (another version) depends on the teller.

Modern takes on Greek myth lean on snappy teen comedy (The Percy Jackson series by Rick Riordan) or ignore the source material entirely (Disney’s 1997 animated movie Hercules, which didn’t even touch on the Twelve Labors, sacrilege!) Of course, there are other writers who get it right, like The Song of Achilles, by Madeline Miller.

A word on the painting above. It depicts a scene from The Iliad in which the nymph Thetis begs Zeus, her ex-lover, to protect their half-divine offspring Achilles in the war. It’s right-out wacky, which is why I love it: Ingres’ anatomical liberties taken with both figures, the way Zeus rests his left arm so casually on a cloud, the way Thetis is playing coochy-coochy-coo with his beard and mouth like he’s a big baby she’s trying to make smile. It’s absolutely delightful.

Need to a pull a never-before-documented Greek myth out of your hat? Here’s a few.

 

Unknown Myths of Ancient Greece

Aristotle and the Tale of the False Yolk

Amphitrite and the Unwanted Brazier

Theseus and the Wise Woman

Ares and the Gift of Cheese

Poseidon’s Olive Press

The Harp of Eris

Orion the Hunter and the Champions of Thebes

The Swineherd of Athens

Ariadne and the Spirited Stitch

Zeus and the Divine Egg

Dionysus and the Wayward Wine

Hades and the She-Goat

The Taming of the Hippalectron *

The Hundred Puzzles of Chiron the Boatman

How Hephaestus Found the Pearls of Charybdis

How Suffering Came to the Aegean Sea

The Judgement of Samothrace

Asclepius and the Surgeon of Knossos

The Boxer of Ithaca

The Ruby Pomegranate

Sisyphus and the Curse-Tablet

Chronos Punishes the Historians

Odysseus and the Poets of Lesbos

The Horns of Byblos

How Hermes Cut Oceanus’s Beard

Circe and the Golden Bow

The Plight of Arachne and the Oarsmen

Heracles and the Oathbreakers

Artemis and the Swineherds

Ares and the Captives of Troy

How Daedulus Multiplied the Olives

King Midas and the Linen Inventory

Hebe and the Loose Helmet

Plutarch and the Perfect Robe

* A hippalectron is a mythical half horse, half rooster creature.

A Tale of Two Castles [Review]

A Tale of Two Castles

by Gail Carson Levine
Harper Collins, 2011

The past year has seen a resurgence in cozy fantasy. In this subgenre the characters are genial, the stakes low. It’s slice-of-life, not slice-of-death, and centers on community and friendship. It’s been led by the runaway success of the self-published Legends & Lattes on Amazon Kindle, about the travails of a female orc who opens up a coffee shop. But it’s also been a longtime staple in the YA community. What was Nancy Drew if not a series of cozy mysteries?

A Tale of Two Castles was a refreshing break from the overblown faerie romances and poorly worldbuilt dystopias I’ve encountered lately. I found it intelligent and engaging, with a slowly growing mystery that builds to a satisfying climax. Though aimed at MG readers, it was written with depth and skill, one of those rare books that felt, in a good way, to have been longer and more intricate than it really was. The author, Gail Carson Levine, specializes in MG/YA cozy fantasies; indeed she’s the author of the popular Ella Enchanted, a revisionist take on the Cinderella fairy tale.

The story is about Elodie, a 14-year-old peasant girl departing from her island home to become an apprentice on another island. Her parents hope her to become a weaver, but she has her heart set on becoming an actor, due to the influence of  her family’s tenant. Being of humble origins Elodie carries only a few coins, and her arrival at her new home is complicated by the theft of those coins, and the fact that fashionable citizens wear caps, a problem because she now can’t afford one. Other notable residents include a king prone to making cruel practical jokes, his dippy daughter, a friendly ogre and his dog, and a dragon, all of whom Elodie becomes acquainted with as she tries to realize her thespian dreams.

Unlike a lot of the current potboiler YA books, the Medievalism felt accurate (save for the dragon, ogre, and magic, of course.) Clothes and luxuries are in short supply, and expensive; the majority of the market stalls are resellers. Yet, it’s cozy and familiar. Peasants eat small bundles of grains boiled with bits of meat and herbs – the author tells us how delicious they taste. There are rushes on the floor of castle halls and servants sleep there when the feasting is done, bundled in blankets. This is not a threatening world, but it’s not one of endless gowns and balls either.

The dragon was not a threat but a normal, law-abiding citizen known for making hot toasted bread sticks covered with cheese. Mysteriously, the reptile will not indicate its gender and is referred throughout the story as IT. Just like that, in caps. The book was published in 2011 so it’s possibly the first instance of a nonbinary character in children’s fantasy, occurring way before the current gender revisionism. Strangely, I got used to the IT after a while, even with the caps. The word indicated the creature’s uniqueness and the fact it was nonbinary more than either they or it would have. They would have been confusing, and it too nonspecific and disrespectful of the creature’s personhood. I know there are plenty of people out there who would rip me for not comfortable with using they as a nonbinary singular pronoun, but frankly, what works for a legal document or a puff-piece in a news article doesn’t work for fiction, where it’s just too damn confusing.

Elodie, who has second thoughts being apprenticed to the acting troupe, falls into the dragon’s employ where she acts as both housecleaner and spy, for a mystery is afoot at the ogre’s castle. The ogre, despite merely being a well-mannered, giant-size human, is not beloved by the people of the city, and it turns out… surprise! He’s to marry the dippy daughter of the king. But his beloved dog has been kidnapped and without the dog, he has no means to keep the cats of the city at bay, who have the power to force him to transform into a mouse. This rather clunky plot point was the only tweeness in the book, but I could forgive it for what happens after. A cat invades the ogre’s banquet, he becomes a mouse, and the castle is turned upside down as his servants try to find him. Elodie comes under suspicion and is locked in a tower under threat of being poisoned, with her dragon patron nowhere in sight.

I did wind up liking this book much more than I thought I would; for what it was, it was damn well perfect. I’m going to pass it on to younger relatives now.

AI Art Adventures: The Bookstore

I dream about a certain bookstore/library sometimes.

It’s not one I’ve seen in real life, but a combination of all the ones I’ve ever known. It always has the kind of books I am interested in: fantasy and science fiction, art and design, sociology and science and history and all the weird ways these intersect.  Every book is fascinating, weighty, and colorful. I am always browsing and always delighted, making note of them for future checkout or purchase.

The books are arranged in a logical way on multiple levels and several floors, with narrow stairways running up and down. It’s dim and narrow in this place, but a comforting dim, not a threatening one. It’s equal parts childhood public library, The Strand bookstore in NYC, and cramped academic archive. It’s never crowded.

Unlike real life, I can read the spines without my reading glasses and browse inside the covers. That’s the best thing.

Also unlike real life, I have all the time in the world.

These Midjourney pictures are the closest I can some to recreating it.

Worldbuilding Wednesday 11/14/23: Venus and Mars

The phrase “Venus and Mars” is a potent one. Not only does it bring to mind Venus, the goddess of beauty and love, and Mars, the god of war and brutality, in all their opposition, but also nights of stargazing, self-help books on relations between the sexes, astrology columns, and (as above) anthemical rock albums. This one, released in 1975 by Paul McCartney and Wings, came with a set of stickers as well.

In some other universe, what substitutes for Venus and Mars might there be?

 

Venus and Mars

Venthem

Vestivalus

Vathus

Varthus

Venher

Venhilm

Vnardus

Vendhyu

Mantrouble

Mabs

Metherny

Mirar

Mirdream

Marmisay

Martigrus

Marjuns

AI Art Adventures: Poltergeists

Users of Midjourney know every day brings a new theme word to play around with decided by the site’s creators. (I suspect it’s a way for the owners to iron out problems with the AI’s interpretation of that word.)  One recent word, for example, was generuk, which is a species of long-necked antelope renowned for standing on its hind legs to get at tree leaves. I doubt most users knew what a generuk was, but the AI did  and did a passable job with their prompts.

A few days before Halloween the word of the day of the day was poltergeist, which is German for “noisy ghost.” This word posed a problem as poltergeists are invisible.

So I decided to explore the theme by using the prompt “B&W vintage photo, poltergeist activity in a suburban home kitchen, 1950s, telephone flying, child screaming, housewife watching in fascination.” I should have published this before Halloween but, well, life.

1950s suburban poltergeist activity b&w vintage photo mom and child

From the first set. No poltergeist and no flying telephone (none of these pics had telephones) but a woman aghast with horror who has jumped up on the kitchen counter for safety, and a female child who is reacting in alarm to her but can’t see the horrible thing the woman can, which is off-camera.

The set was not bad in general but there’s a number of goofy things which point to the non-reality of it: The child’s shoes, the woman’s hands (as usual), that object on the counter that looks like a stereo receiver with stuff piled on top of it. Perhaps there were some 1950s homes which boasted stereo receivers in their kitchens, but not likely.

The kicker though is what’s in the cabinets in the back!

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Worldbuilding Wednesday 11/01/23: Ultraman Kaiju I

Ultraman Leo does some kaiju wrasslin’

The many, many incarnations of Ultraman over the decades gave fans a decorative Rogue’s Gallery of foes, most of whom were out to destroy Earth or conquer it. The show’s writers were careful to give them all distinctive names, which, oddly, the attack teams somehow always knew despite never seeing that monster before. Most sounded Japanese, such as Gomora, Dorako or Saigo. Others got names in English like Dinosaur Tank, Sea Killersaurus, or King Joe, which must have sounded exotically threatening to the Japanese audience but made the American one snigger. In spite of this, most ill-named kaiju overcame the handicap to give the Ultra hero a run for his money in the martial arts showdown.

The names below were inspired by the kaiju of the Ultraman Leo series.

 

Ultraman Monsters Names I

Tshraz

Gillub

Black Gass

Zadons

Mvuvuk

Tejbul

Yevbou

Ayuran

Vuzilla

Beniman

Malanash

Utles

Aquatux

Semgaga

Ashclean

Suvanee

AI Art Adventures: Blending a crown

If you’ve read my posts on AI versions of Narnia’s White Witch, Green Witch, and Queen Jadis of Charn, you’ll know I have a fascination with exotic costumes. I blame this on watching the Sonny and Cher Show  in the early 1970s. (Some of my grade school designs for Cher would have put present day drag queens to shame. ) Happily, hours hunched over a sketchbook, pencil in hand, is no longer necessary to come up with some daring designs. Just a good eye and good command of the English language.

Several months back I was teaching myself the Midjourney Blend command, trying to come up with a novel crown for a fantasy character.

These were the pics I chose as bases. Very disparate. You can blend up to seven pics in MJ, loading each one as you would a pic on a blog.

These were ones generated. The woman seems to be the same, with variations in her metallic costume, and the crowns are all variations too in beaten silver metal and golden spikes. Not bad at all for one go-round.

If I was a costume designer I’d ditch drawing thumbnails for good.

Worldbuilding Wednesday 10/25/23: Vampires Around the World

The handsome Peruvian vampire

 

Vampires are a horror staple and one that has, in the Western world, a stereotyped appearance: pale and with elongated canine teeth. They are generally evil, allergic to daylight, and have  magnetic eyes and hypnotizing powers. The mockumentary movie What We Do in the Darkness takes this trope to a whole new level with several vampires living together in a house, Real World style. One is a poetic, Byronic vampire (played by the movie’s director, Taika Waititi), another a Romanian Vlad the Impaler type, one a horrific Nosferatu, one a modern Emo youth. Other modern takes on vampires emphasize that they can look like just about anyone, as in the series True Blood, but even so, there’s always something special about them.

Other cultures have different takes on the idea of an undead that preys on the living. Phillippino vampires are called Pennangallan. They are always female and suck the blood of mothers and children. The horror comes in that they can detach their heads from their bodies and fly this cranial drone around, while trailing their internal viscera behind them. That right there is why Pennangallan never caught on in the Western world. Plus, it’s a very hard special effect to do properly, as opposed to a vampire’s fangs and threatening stance.

To have some Halloween fun I AI-generated a series of pictures of vampires from a variety of different countries, and used these to help novices identify these creatures should they go traveling.

 

Vampires Around the World

Tanzanian Vampire: These are secretive and stay away from large cities, preferring villages and small towns. They have glowing teeth, dark blue skin, and bat wings attached to the back of their skull. They are pretty hard to miss. When biting they attack with pointed canine teeth in their lower jaw, not the upper.

Siberian Vampire: Has horse’s hooves instead of feet. Their faces are distorted and they carry long, thin daggers to stab their prey, ambushing them with a flying leap. During the day, they sleep deep within the ice, not in coffins. Again they are pretty hard to miss.

Icelandic Vampire: Recognizable by their blank white eyes which they conceal with sunglasses when among humans, they are fond of long capes and mudboots which aid in chasing victims across the melting snow.

Canadian Vampire: They often partner with werewolves, were-bears, or were-bats. After eating they paint their faces with their victims’ blood. In towns or cities, they wear black suits with a fedora hat and have pale, flaking skin.

Libyan Vampire: Appear as young male children wearing suits with red bow ties. They appear innocent but can be recognized by their hollow eyes.

Sicilian Vampire: An elegant dresser, the Sicilian vampire wears black suits with bowler hats and caped overcoats. Their left hands bear two elongated fingers with sharp nails they stab their victims with; afterwards, they drink the blood from cordial glasses. When among humans they will always use their right hands and keep the left one hidden. Female Sicilian vampires are the archetypical femme fatale, wearing slinky red dresses. They will conceal their left hands by carrying a little clutch purse.

Greek Vampire: Always male and extremely masculine. If undressed, they can be recognized by the red ribbons they wear over their nipples.

Sri Lankan Vampire: Has a yellow-tinted complexion and too many teeth to fit comfortably in their mouth. Since they use their heads to batter down victim’s doors, they can be spotted by the red scars on their foreheads and unusually broad, flat noses.

Ottoman/Turkish Vampire: They transform into pterodactyls, not bats. Their eyebrows are dark and bushy and if they have a mustache, it is displaced onto their cheeks.

Australian Vampire: Can be recognized by their large number of blackheads.

Human Pomegranate

Artwork by Dolce Paganne

Some Biblical scholars believe the apple of the Garden of Eden was actually a pomegranate, apples being unknown in the Middle East many thousands of years ago. But I’m sure it wasn’t a fruit like this one, which is beautiful yet eerie.

 

AI Art Adventures: Using my name

Recently on the Midjourney Reddit users have been posting the pics generated by using a prompt of their Reddit usernames, so I tried the same. Granted I have a leg up because it’s so descriptive and concrete.

Using just Cobalt Jade, we get some kind of attractive mineral or gemstone formation. Neat!

Cobalt Jade + Super Villain. This one might be the basis of a new website banner or avatar for me. The owl I currently use is becoming old.

Cobalt Jade + Country Cottage. A rather overwhelming use of the deep blue and green in the previous pics.

Cobalt Jade + Mythical Animal. Very nice! Combines the mineral colors of #1 with the aesthetic of an Oriental jade carving. I could use this one instead of the comic character. What do you think?