In the Great Desert

Calormen Outpost, by Gkaida

The Great Desert of the world of Narnia held a few surprises, such as this Calormene fortress.

Tashbaan and its Protector

Tash the Inexorable by Leonard Ismos

A beautifully rendered view of the city of Tashbaan, top, and the God Tash, bottom. It wasn’t until The Last Battle that the reader finds out Tash is real, and evil, and received sacrifices of human beings.

Narnia in the Real World

Last year, while researching Narnia, I found out about the existence of a Florida rock band called White Witch. I don’t know if the name was inspired by Narnia or not. But there are plenty of other musical groups and even companies who looked to Lewis for inspiration.

The Australian rock band Silverchair was perhaps the most famous of these, pictured above in its very young grunge phase.

Jadis inspired the name of a British prog-rock band.

Beruna, or be-Runa, is a company that makes sprouted seed salt and heirloom popcorn.

Charn(ia) is an ancient lifeform from the pre-Cambrian period that looked like a leaf or a feather. The place where its fossil was found was named Charnwood.

Pevensie, the family of Peter, Susan, Edmund, and Lucy, lent its name to a tract of retirement homes. The house plans are named after the kids; this is the Edmund.

Aslan Brewing, maker of craft beers, is based in Bellingham, Washington.

… while Narnia is also the name of a Swedish rock band.

Jazz musician Kris Berg wrote this piece titled “The Gates of Tashbaan.”

Lastly, a nail polish manufacturer called Pahlish came out with this collection in 2014 titled “The Wood Between the Worlds.”

 

 

 

Worldbuilding Wednesday 8/4/21: Let’s Talk About Cair Paravel (Narnia XXV)

Yes, I know this is a Disneyland Castle photoshopped into the scene.

Just where the land of Narnia met the sea—in fact, at the mouth of the great river—there was something on a little hill, shining. It was shining because it was a castle and of course the sunlight was reflected from all the windows which looked towards Peter and the sunset; but to Peter it looked like a great star resting on the seashore.

— from The Lion, the Witch, and the Wardrobe

 

Cair Paravel is Narnia’s ruling seat, a great castle on the edge of the eastern sea. It’s unclear in the books if it had a town or city attached to it (which, logically, it must have had) but it did have a treasure room, an orchard, a harbor, and a throne room/hall with an “ivory roof and the west door all hung with peacock’s feathers and the eastern door which opens right onto the sea.”  Very grand indeed. I always picture the castle like a smaller version of Neuschwanstein, one of the pet projects of Ludwig the Second, The Mad King of Bavaria, which I had visited as a child.  At the end of The Lion, the Witch, and the Wardrobe the Pevensies are crowned kings and queens in the Great Hall (There are a lot of great this-and-thats in Narnia, Hall, Waterfall, River, etc.) in the four thrones which are there conveniently waiting for them.

The descriptions of the castle are magical, but the name is even more so. It sounds graceful and light, French or Italian, unlike the mouth-twisting chewiness of Neuschwanstein. But the word Caer is from Old Welsh. In Medieval times it meant fortress, castle, or stronghold — it still exists in Wales, in place names like Caerphilly Castle. Paravel, on the other hand sounds Latin, in which para means “beside” — a preposition of placement — as in the modern  English words paranormal and parallel. Vel could also be a Latin preposition, comparable to the English “or” … it could also derive from velum / veli, which can mean the sail of a ship. Given that that Cair Paravel stands by the sea and has a harbor, I think it’s the latter – the castle beside the sails (of the sea-going ships.)

Other scholars have their own ideas. In Middle English, Cair Paravel means “court” and “lesser than” — the idea that Aslan is true ruler of Narnia and the humans merely rule under him. This concept is never discussed by Lewis in the books, however, so I like my more concrete etymological analysis better.

In addition the words of Cair Paravel call up other allusions. Paravel sounds very close to paragon — in that the castle was a pinnacle of aesthetic and courtly perfection — and paradise. Switch the p for a c and you get caravel, a type of swift sailing ship. All of which allude to the castle’s role.

Looking to name a castle with something that has the same feel ?

 

Other Cair Paravels

Caer Tilphoniel

Charer Luravel

Cair Perafoil

Caer Cathadrul

Carre Pasvogel

Cair Murravel

Caer Carrovay

Cair Pallraven

Cair Paraveth

Cuer Pintagal

Kaer Pastvaal

Ceyen Shekiv

Khaer Parhokh

Caer Shervil

Couer Madret

Cer Eurville

Cith Ragasha

Cayhr Tareevel

Cahr Trivel

Céich Parvem

Ceuer Taravel

Carre Cureros

Chaere Tirysel

Ker Gracedel

Kaere Pasivod

Cyr Paraves

Asdis or Jadslan?

The New White Witch, by Liekkilaulu

What if Aslan, instead of defeating the White Witch, usurped her position?

The Great Sea Serpent

Suddenly, only about the length of a cricket pitch from their port side, an appalling head reared itself out of the sea. It was all greens and vermilions with purple blotches—except where shell fish clung to it—and shaped rather like a horse’s, though without ears. It had enormous eyes, eyes made for staring through the dark depths of the ocean, and a gaping mouth filled with double rows of sharp fish-like teeth. It came up on what they first took to be a huge neck, but as more and more of it emerged everyone knew that this was not its neck but its body and that at last they were seeing what so many people have foolishly wanted to see—the great Sea Serpent.

— from The Voyage of the Dawn Treader

When I read this passage as a child, I was less than impressed, having grown up with depictions of sea serpents that looked more like the one below.

Cecil and Beany, Saturday morning cartoon that debuted in 1962

Nevertheless, Lewis’s description quoted above matches what was said about the beast in sailor’s stories and cryptid descriptions of the time: the horse-like head, the round staring eyes, the lengthy body. This description also matches that of Nessie the Loch Ness monster, implying cross-fertilization between lake and sea.

Most of the older depictions look even more ridiculous than the postcard one above, so that Cecil the Seasick Sea Serpent may have actually been an improvement. Cecil looks more dragonlike than the earlier illustrations, and, indeed, as the 20th century progressed sea serpents in popular culture began to look more reptilian than piscine, such so they became a species of sea dragon.

In reality, many historians believe sightings of the rare oarfish may have inspired such tales.


While the largest oarfish ever recorded was 26 feet — not very impressive considering the great sea serpent  of legend was huge enough to encircle a ship and crush it in its coils — exaggeration likely inflated its size. Perhaps it was difficult to estimate from a bouncing boat in choppy waters.

Close up of the head of a young specimen, showing the dorsal fin running down its back and the mottled coloring, though I can’t say it’s vermilion and green like Lewis says. (The blotches look purple enough though.) In addition, the oarfish is capable of projecting its jaws outside its mouth, giving it a horselike profile.

(I wonder if Pauline Bayne’s depiction of the Green Witch as serpent was based on a sketch for The Voyage of the Dawn Treader which went unused.)

This artist showing the moment the sea serpent attacks the Dawn Treader is more in the creature-as-dragon camp, giving the monster snakelike scales and ignoring the garish coloring in favor of black.

In this depiction of the same scene the sea serpent looks … part pelican? It also seems way too friendly and doesn’t adhere to the text either.

Now we come to the Dawn Treader movie, which turns the dangerous yet goofy monster of the book into a titanic, slimy, alien nemesis whose attack serves as the plot’s action-filled climax. As I said in an earlier post, I was not a fan of this change, which likely came from the producers. But the concept art was cool.

Here we have the Sea People fighting the creature, whose size seems more reasonable than the kaiju-sized beast that made it into the movie. Remember the sea serpent was long rather than titanic, long enough to encircle the boat several times, yet lightweight enough for the crew to push it out of the way. This early version of the creature is decidedly more fishlike than reptilian, drawing on features of abyssal species like anglerfish for the long pointed teeth and sea robins for the long pectoral fins made for walking on the sea floor.

The sea serpent in the film showing it rearing over the prow of the ship as Edmund flees for his life. Two production designs are below.

This is a terrific design… for a horror / SF movie set on some other planet. It doesn’t belong in Narnia.

It’s kinda like a moray eel… kinda like The Predator of action movie fame… kinda like a watermelon… kinda like a crustacean… and kinda like a cobra with that hood, which is filled with shrimp legs. It’s really disgusting and overcomplicated, and neither are words I would use to describe Narnia.
If a slimy, scary, eel-like monster was what the producers called for, wouldn’t this have been a better choice?

Or this one, which is dinosaur-influenced? Imagine the malicious character one could animate into that face.


I’ll close with this silly but charming 1930s illustration of a flapper mermaid riding a sea serpent, which actually looks more like the serpent according to Lewis’s text than any of the others!

Worldbuilding Wednesday 7/28/21: Places in Narnia (Narnia XXIV)

The picturesque town of Narni, Italy, said by some to be the inspiration for the name of the fictional Narnia

One thing Narnia did not have is a lot of human towns. In fact, I can think of only two: the Telmarine settlements of Beruna and Beaversdam. There’s also a town called Chippingford in The Last Battle but whether it is human or not is unclear. There’s also some kind of human settlement around Cair Paravel to support both it and the shipping trade of the port, but it goes nameless. Unlike the vast majority of fantasy worlds, Narnia is bereft of human habitations, at least in the stories Lewis chose to write.

If there were towns and other human-named features, however, here’s how they might have been named.

 

Places in Narnia

Maugrim’s Road

Ravenjoy

Jackamoor

Sagewick

Nymph’s Foundry

Bacchusbloom

Hareberry

Witch Stocking

Pomona’s Sky

Molepath

Hwin’s Hill

Farncastle

Naiad’s Cup

Centergrace

Satyrstride

Rainsuffice

Mousenibble

Bree’s Air

Ingeton-on-Shribble

Flagswood

The Lord’s Skyway

Leopard Walk

Witchweir

Meadpond-on-Rush

The Giant’s Pace

Beaver’s Bough

Octesian’s Needle

Merrylawn

Badgersong

Kingspire

Fledge’s Wing

Stargaze

Queen Susan the Vain

Artwork by aylatha

That’s what this playing card design seems to say.

I would sort the suits as follows, however: Susan as diamonds (her beauty); Lucy as hearts (her spirit and kindness); Peter as spades (because the pointy tip is like his sword, and it’s the coolest of the cards); and Edmund as clubs, because it’s the leftover one, plus it’s kind of somber, traditionally representing the clergy.

In the suits, the kids would the kings. The queens would be notable secondary characters: Tumnus for Lucy, Aslan for Peter, the White Witch for Edmund, the Beavers for Susan. The joker card would be Emperor-over-sea.

The jacks might be the magic gifts: sword and shield for Peter, diamond vial for Lucy, horn and bow for Susan, stone table for Edmund (because he was supposed to be sacrificed there.) Or they could be the suits of the cards instead of hearts-diamonds-spades-clubs. If so, the jacks might be notable Talking Beasts: Reepicheep, Trufflehunter, etc.

All Things Charn: The Fanfics [Reviews]

 

Jadis, by Katyahih

In this post I am taking a detour from Charn to talk about fanfic of Charn.

Narnian fanfic has been on the internet for at least two and a half decades, though not in the massive amounts inspired by the Disney live-action movies. The pre-Disney fanfics were based on the books, and far more diverse and interesting. The movies, as is often the case, popularized the fandom, leading to a glut of re-imaginings using author inserts in the form of an extra Pevensie — sibling or cousin — and in more than a few stories, the White Witch’s daughter. There’s tons of romance, and the main characters being siblings, incestuous romance.

This isn’t to say all Narnian fanfic is like that. Many stories attempt to fill in the gaps that Lewis left in the books or argue philosophical plot points, such as Susan’s spiritual redemption or if Aslan’s actions really were for the greater good. In this Lewis supplied a more robust framework than Tolkien, whose Middle-Earth was mapped in finer detail that didn’t leave a lot of room for author riffing (Legolas/Aragorn slash notwithstanding.)

Which brings us to my favorite Narnian setting, the city-world of Charn and its ruler, Queen Jadis. Charn made only a brief appearance in The Magician’s Nephew, but one that inspired many readers, as well as myself, to fill in some of its mysteries.

The War Host of Charn, by Celestialhost
Empress of the Lone Islands, by Celestialhost

In recent years Deviantart.com has been being used by creators to host fanfic as well as fannish artworks. Celestialhost has written two of these, both about Jadis, in snippet style… not really a story, but an exploration in story form of an element that Lewis left out of the books. In this case, the nature of Jadis’s Charnian army, and how Jadis might have felt about a visit to the Lone Islands which were stated to be under her authority in The Lion, the Witch, and the Wardrobe. Both are worth reading, the author pulling out all the stops in the first one in particular. Jadis riding a manticore? And barefoot, yet, to wash her feet in the blood of her enemies? What imagination!

Pointed Up (at the Red Sun), by mihrsuri

I didn’t quite get this short fic, which was about the daughter of a sorceress who is drafted to help Queen Jadis in the war against her sister. As such the daughter hardens herself emotionally even as she realizes her twin brother is the one who has given Jadis the Deplorable Word. Head-scratching.

The Way the World Ends, by Elizabeth Culmer
Prayers to Broken Stone, by Elizabeth Culmer
By the Sword, by Elizabeth Culmer

Elizabeth Culmer is a talented writer with many stories about Narnia, Jadis and Charn which are archived on her home site at  archiveofourown.com. These three explore Charn’s destruction. The first is a brief AU where Jadis is silenced (by a knife to mouth!) before she can speak the Deplorable Word. The second describes the state of Charn and its decay after Jadis, Polly, and Digory leave. The third is about Jadis and her siblings and is an actual story, not a snippet; Jadis and her future nemesis, her sister Cynara, also had an older brother, and together the sisters… you have to read it to find out, but know that Charnian Royals are ruthless when it comes to attaining power.

Daughters of Charn, by Alpha Starwell

How did the war between Jadis and her sister begin? “Daughters of Charn” posits sibling rivalry, Jadis vying with her sister Emeralas for their father’s affections. Note the names that recall green gemstones; it’s one of the nicer touches that explores the culture of the world of Charn. Jadis tries to be a better fighter, magician, and scholar than her sister, but it isn’t enough, and resentment simmers. Imperiously, she takes it out on her slaves, but then, one night, it’s implied Aslan comes calling. Unfortunately, the story ends there, unfinished. Jadis is perhaps too bratty to become the fierce ruler we see later, but all in all it’s a nice effort.

Deplorable, by WingedFlight

Here we have a fanfic that not only takes place in Charn, but there’s another story embedded inside it, the legend of Prince Hekkenet who sets out to free his father the King of Charn from some cursed rubies… and it turns out to be the origin of the Deplorable Word as well. The fable is told to a young Jadis, and it ends ironically. I liked it, but it could have been finessed some. Why not make Prince Hekkenet the keeper of the Word, for example, and that is why he never returns to Charn? But otherwise there’s some interesting world-building here.

The Price of a Word, by Laura Andrews

How did Jadis learn the Deplorable Word, and what was the price? The author tells us how, and it’s at once mundane and terrifying. Not much could frighten Jadis, but the price did. A short horror read that was scary without being gory, and kudos to the author for copying Jadis’s speech patterns from the Lewis books.

Two Prices, by ZachValkyrie

Another story of how Jadis received the Deplorable Word, this one even better than the previous, with a wonderful early Wierd Tales feel to it. There are several twists to the story, Jadis was in character, and Charn’s worldbuilding was in line with its bloodthirsty majesty: barges full of slaves from vassal cities float continuously down the river to be sacrificed. Recommended.

Charn – Cradle of Monsters, by TheophilusG

This author makes no bones about how terrible Charn was in its last days — it’s a combination of Tudor England and Imperial Rome, with public games the nobles fly to on their magic carpets above the heads of the hoi polloi. Jadis is born but the King of Charn desires a son. Unlike Anne Boleyn, however, the Queen of Charn takes matters into her own hands, and so does Katilu, Jadis’s elder sister. This one is more snippet than story, but the writing is energetic and engaging, and the worldbuilding of Charn the best out of all I’ve read. This is the kind of exploration I like to see!

The Precise Magic of Snowflakes, by KannaOphelia

This is one of these NSFW stories that are definitely, defiantly erotica, and erotica about Jadis at that. But it’s part of the plot and not purely for titillation purposes. This one posits that in Jadis-ruled Narnia there’s another powerful legendary being, akin to Father Christmas and Bacchus, living there — the Snow Queen of Hans Christian Anderson fame. The author skillfully integrates her into the setting so it’s not as jarring as it sounds. The conflict comes when Jadis objects to the Snow Queen kidnapping human children instead of turning them over to her, and it runs from there, with both beings finding an attraction in the other.

Worldbuilding Wednesday 7/21/21: Coriakin’s Magic Book (Narnia XXIII)

 

It was written, not printed; written in a clear, even hand, with thick downstrokes and thin upstrokes, very large, easier than print, and so beautiful that Lucy stared at it for a whole minute and forgot about reading it. The paper was crisp and smooth and a nice smell came from it; and in the margins, and round the big coloured capital letters at the beginning of each spell, there were pictures… the picture of the man with toothache was so lifelike that it would have set your own teeth aching if you looked at it too long, and the golden bees which were dotted all round the fourth spell looked for a moment as if they were really flying.

— from The Voyage of the Dawn Treader

This was another of my favorite parts from the Chronicles of Narnia: Lucy paging through the magician’s spellbook on the Island of the Dufflepuds. I love the way Lewis describes an illuminated manuscript here for the benefit of young readers who wouldn’t have seen one before, and a fresh, newly made illuminated manuscript at that. The pic above, from the Book of Hours, shows a bit of Medieval humor in having a clearly annoyed peasant woman sweeping all the leftover letters and putting them in a basket. It’s like a Monty Python Holy Grail animated sequence, but centuries before.

Lucy reads several spells in the book before finding the one she wants: one to capture a swarm of bees, one to relieve toothache and one to eradicate warts. All are vividly illustrated. These are harmless for the most part, and beneficial; but then there’s one which promises to make her beautiful “beyond the lot of mortals” that tempts her with pictures put into her mind where she outshines older sister Susan and causes wars between the countries of Narnia who are vying for her hand. This is the place in the Chronicles where the sisters’ rivalty is most made clear.

What other sorts of spells might Coriakin have had in his book? I’d say they were helpful, not very powerful, and kind of quirky. Where did these come from? My Twitter feed of course!

 

Spells from Coriakin’s Magic Book

Cockatrice Cushions:  These cursed pillows look comfy and inviting, but when someone flops down on them, they become hard as rock.

Collar Bull:  Stops a raging bull of any type and brings it under the control of the caster.

Collect Chimera Sadness:  Chimera tears are one of the most potent of magic items, and this spell enables them to be teleported directly from the monster’s eyes into the caster’s vial.

Dazzle Wasp(s):  Creates bright, dancing lights to confuse  wasp, or nest of wasps, from attacking.

Enhanced Whispering:  Enables the caster’s whisper to be heard by another up to 200’ away.

Fingers of the Minstrel:  Lets any amateur musician play as well as an experienced one.

Foxfeather:  Enables the caster to travel as lightly as a feather and silently as a fox in any forested terrain.

Herbscry:  A druid spell that lets the caster identify the useful medical properties of any herb unfamiliar to them.

Hilwartha’s Horned Whale:  Grows a narwhal-like ivory horn on the head of a whale, dolphin, or porpoise that ordinarily wouldn’t have one. The spell can be doubled or even tripled to grow multiple horns.

Isno’s Entertaining Breath:  Cast in cold weather, this enables the caster to sculpt their cold exhalations into amusing animated forms.

Marvelous Attractor:  The duration of this spell is very short, but anything the caster thinks of in that time will be attracted to them, within reason (it won’t pull the moon down from the sky, for example.)

Moonloose:  Releases a were-creature from the influence of the full moon for a few hours.

Muddy Glass:  Smears a thin layer of mud on glass windows so no one can see in or out.

Multiply Livestock:  Makes a group of farm animals appear up to ten times as numerous as it actually is.

Mutable Hound:  Cast only on dogs. It lets the mage change their breed, as many times as the caster wants, for the length of the spell.

Oceanic Messenger:  Commands any form of marine life to carry a brief message to the recipient, who must be in the same body of water.

Quick Digression:  Changes the direction of a conversation without any of the participants realizing.

Quicken Bean:  Makes beans sprout in a few seconds and start to grow.

Replicate Parakeet:  Creates a clone of any small parrot.

Sincard’s Sneezing Freedom:  Prevents a creature from sneezing for a set time.

Squeaker Exhaustion:  Anything that squeaks can be silenced with this spell: hinges, mice, dog toys, etc.

Starry Rain:  Gives raindrops the illusion of tiny falling stars in the region of the caster.

Sunshine’s Color-Changing Plum:  This useless spell makes a ripe plum cycle through purple to red to yellow to green.

Sweeten Mud:  Lets the caster derive as much refreshment from drinking mud as they would from sweet, pure water.

Veiled Willow:  Hides (makes invisible and undetectable) a willow tree of any size for the duration of the spell. Also any item made of willow wood.

Viral Hunger:  Always cast on a group of creatures. When one of them becomes hungry, all the others will follow. Variants include Viral Slumber and Viral Thirst.