Reindeer Heart

reindeer heart

Fresh, nutritious reindeer heart. If it was Rudolph’s, it would glow.
Recipe here.

Rogue Reindeer


Since it’s near Christmas, let’s look at the world of fantastical reindeer.

This caribou man, opposite, was included in an AD&D manual as a decorative illustration. He wasn’t listed as a monster with his own stats, which was too bad. (He’s definitely Quebecois because of the hairy chest.) A homebrew gamer did decide to go ahead and tackle Rudolph, however.

 

Rudolph the Red by Pikeyfaux

I’m not sure why Rudolph’s alignment would vary so, unless he was up against opponents who didn’t believe in the spirit of Christmas, like Mr. Scrooge or The Grinch.

Is Santa on a crusade against evil here… or on a campaign to foment evil? It’s hard to say. Refer to his official AD&D entry.

Mostly, though, reindeer-human hybrids represent a more pagan Yuletide.

Reindeer Princess, by Artgerm

Shamen Shapeshifter, by Stephanie Lostimolo

Now, on to reindeer centaurs.

In Greek myth centaurs were horses with the torso of a man from the waist up situated where the horse’s neck and head would be. But fantasy artists have been playing with them for ages using different animals. Reindeer have taken their turn.

Combine this idea with Santa Claus, and you’ve got a winner.

The most sinister winter monster of all, however, is the Wendigo, which many artists represent as a skeletal being with the skull of a reindeer, or some other cervine, as its head. In some Native American cultures it’s a symbol of madness and cannibilism. It’s the dark side of the cheery sleigh-puller as Krampus is the dark side of Santa, and it celebrated as such.

The closely related ijiraq is a similar creature from Inuit lore that kidnaps children.

Reindeer by Tobiee

A peryton is a legendary creature depicted as a deer with the wings, feathers, and tail of a bird. It’s also a fake legendary creature. It was invented in 1957 by author Jorge Luis Borges in his Book of Imaginary Beings, supposedly from a long-lost Medieval manuscript. References to it have never turned up elsewhere. To make things more confusing, other beings mentioned in the book, like the kraken and phoenix, are “real.”

Since then, perytons have slowly eased their way into fantasy media, including the original edition of Dungeons & Dragons where they’re the least threatening monster ever, despite their penchant for eating human hearts.

This version of a peryton uses a reindeer and a bat instead of stag and bird.

A mer-reindeer, anyone?

Illustration by Margot Rogers

Or would you prefer a reindeer gryphon?

Ardea rangifer, by Kuroi-kisin on DeviantArt

Or a dragon reindeer?

Reindeer Monster, by Drawfluent

As terrible and powerful as all these reindeer creatures are, rest assured they are still below humans in the food chain.

 

 

Worldbuilding Wednesday 12/16/20: Christmas Characters

Cold Miser and Heat Miser

Santa, and Father Christmas and Sinter Klaas before him, is the penultimate character representing Christmas spirit, but he has many helpers.

In Germany, there’s his evil counterpart Krampus, and since 1823 (when A Visit from St. Nicholas — better known as The Night Before Christmas — was first published) his reindeer. In the twentieth century Santa  accrued Mrs. Claus, his elven helpers, and Rudolph the Red-Nosed Reindeer, who shot to fame with a 1964 stop-motion animated TV special. You can read about the character’s genesis here; it’s a fascinating tale. In fact, it’s hard to remember a time without Rudolph.

The same decade brought us Frosty the Snowman and the 1970s a slew of other TV specials that tried to replicate Rudolph’s popularity: The Little Drummer Boy, Rudolph’s Shiny New Year, Nestor the Long-Earred Donkey, and The Year Without a Santa Claus, from which the above screenshot was taken. First aired in 1974, it should have been a worthy successor to Rudolph with its characters of Heat Miser and Cold Miser, but it took decades, at a slow simmer, for it to reach cult status. And that could be attributed to Heatmiser, a grunge band that took its moniker from the hot-headed puppet who melted thermometers in his bare hand.

In the four decades since there have been other contenders for Christmas icon status, among them The Elf on the Shelf and Olive, the other reindeer, who unfortunately had her heyday the Christmas after the 9/11 attacks. It was so sad to wander through Macy’s, whose holiday decorations were Olive-themed that year, under that black cloud. Olive the little fox terrier deserved better.

In some other universe, perhaps there were Christmas characters like these with their own animated specials.

 

Christmas Characters Deserving Their Own TV Special

Humbug the Selfish Witch

Sissy the Blue-Nosed Sheep

Greta the Buck-Toothed Shepherd Girl

Mistletoe, the Cold-Hearted Wolf

Noel the Sky Penguin

Snickers the Three-Humped Camel

Norbit the Chanukkha Hamster

Olive the Bow-Legged Penguin

Jingle Jangle the Dimwitted Fairy

Cookie the One-Earred Otter

Blizzard, the North Pole Squid

Aloyisius the Littlest Owl

Fairy Queen

Sarrazine, by Olivier Ledroit

French comic artist Olivier Ledroit’s fairies have a wicked, wide-eyed, kinky look even as they verge into  disappearing into their own ornamentation. Like Louis Wain’s schizophrenic cats, they’re hypnotic.

Worldbuilding Wednesday 12/9/20: Healing Herbs

Page from a 16th century German book on herblore depicting a plant with an animal-like root

It’s common in fantasy books for characters to be wounded, and commoner still for said characters to experience miraculous cures from native plants. Sometimes these are authentic, like those in the Brother Cadfael series of historical mysteries. Others are fictional. Stephen Donaldson’s Thomas Covenant series had hurtloam, Tolkien had athelas, Narnia had the juice of the berries of the sun, held in Lucy’s diamond vial. There are more, I’m sure.

What a writer doesn’t want to do is mix up fictional ingredients with a real-world setting, as John Boyne did in his novel A Traveler at the Gates of Wisdom. In a passage about dyeing a dress, a historical character uses ingredients from the video game Legend of Zelda: Breath of the Wild: the tail of the red lizalfos and four Hylian shrooms. Luckily, the author was a good egg about it and promised to change it in the next edition.

If you’re looking for something that sounds impressive, but has nothing to do with Hyrule or any other video game, here’s some randomgenned suggestions.

 

Herbal Remedies

Balm of Curly-leaf Frogstongue, stirred fifty times with a wooden spoon

Essence of Sweethazel picked at midnight

Brew of Ostrichwort, left to ferment for 20 days

Oil of Harespike and Purse-of-Cream

Tincture of Mouselip root

Tea of Everblooming Earthenlung (may cause hallucinations)

Hairy Owlfoot tea, an expectorate

Distillation of Marshbane and Monkeyglove

Sunclub blossoms, reduces fever and promotes a deep sleep

Infusion of Evening Marswhoot, acts as a stimulant and increases appetite

Kittencap pollen, soothes a burn

Oil of Monksthorn

A strong brew of Mammaw and Moonpimple

Oil of Buttershoe mashed with Pink Proudberry stems

Fragrant Toadwill stems and flowers, calms nerves and promotes virility

Odious extraction of Flytouch

Infusion of Foxnettle Bark

Balm of Devil’s Cream

Solution of Cat’s Butter prepared with a wizard’s whisk

Distillation of crushed Sparrow’s Toe

Tisane of purple Kis-willow buds blessed by a holy man

 

The Poisonwood Bible [Reading Challenge 2020]

The Poisonwood Bible

by Barbara Kingsolver
Harper Collins, 1998

[Challenge # 18 :  A book taking place in Africa.]

I switched my African read from The Fate of Africa because I came upon this book in one of the local Little Free Libraries and started reading it while in line to drop off some junk at the Goodwill. The line was very long in these COVID times, and by the time, 40 minutes later, I was driving home, the author had me hooked.

This book has gotten a lot of praise — it was featured in Oprah’s Book Club — and there are even study guides devoted to it. It was a big deal when it first came out. Some aspects of the praise were warranted, but more than twenty years later, I don’t think the story has held up well. I can’t see it becoming a classic. It’s just too one-note and mean-spirited.

The Poisonwood Bible is about a fire-and-brimstone minister, Nathan Price, who uproots his family from the American South of 1959 and heads to the Belgian Congo, which is soon to become an independent country. His long-suffering wife, Orleanna, and their four daughters Rachel, Leah and Adah (twins) and Ruth May come with him. The story is about their culture shock as they live in a hut without electricity or running water as their father preaches salvation to the natives, who remain unimpressed. The narration alternates between the first-person voices of the female characters, sometimes jumping ahead to the future after they have left Africa, or to the past when they were younger. Kingsolver has said she intended the book to be a study of a family in crisis, but it comes across more as an exercise in snark.

Right away this very white-bread family is set up so readers can laugh at them in their ignorance. Everything they do, is a failure. Mom has a tear-filled breakdown when the boxed cake mixes she has smuggled in for birthdays get ruined in the Congan humidity; Dad’s garden he plants with American seeds is repeatedly flooded and then fails for lack of appropriate pollination. I enjoyed it up to the middle, then thought, enough. I wanted to see plot progression and feel some emotional weight. Everything felt too anecdotal, like any chapter of it could have appeared in The New Yorker magazine as a short story. It was too overwritten for a novel. The writing was enjoyable, mind you, but got to be too much.

The girls’ narration tired me as well. When the story begins, Rachel, the oldest, is 15 going on 16; the twins are 14, and Ruth May is 5. But they come across as too cerebral, even the youngest. They didn’t seem authentic. I think the author was trying for a William Faulkner The Sound and the Fury approach, crossed with some Holden Caulfield, but I just couldn’t suspend my disbelief.

I gave up halfway in. In light of the current times and current issues of 2020, I was just not comfortable with the mocking tone of it. The Congolese are mocked through the eyes of the narrators, and the narrators, with their 1950s religious fundamentalist mindsets, are set up to the mocked by the readers, or by the author. This may be the fault of the time in which it was published, when it was standard to mock the 1950s through the more “enlightened” filter of the 90s (take the successful movie Pleasantville, for example… ) but the author wasn’t adding anything new to the mix, IMO.

I guess I wanted the characters and their problems handled with more respect, if that makes sense.

Heavy Hearted

Heavy Hearted, by Caitlin Hackett

Heavy Hearted, by Caitlin Hackett

Innocent, disturbing, whimsical, and exact, all at once.

Revolting Reindeer

Reindeer are the only cervines (members of the deer family) to be domesticated by humans. As such, they enjoy a cozy, familiar status like chicken, ducks, pigs, and domestic pets do. But, like Santa whose sled they haul each December, they have a darker side despite their cheer and competence.

Let’s take these odd toys dating from the 1950s and 60s, when it was common for a children’s plush toy to have a disturbingly humanoid face molded in rubber.

His or her little donkey sidekick is… disturbing.

Perky? No.

Rudolph is rolling his eyes in fright!

Even more awful, the bodies of these toys often got tattered and soiled while the faces stayed pristine. These examples are the ones in good condition.

Here’s another kind of stuffed reindeer. Actually, it’s a regular deer, hauled from place to place as a photo prop for Santa pics of a Christmas long past. The 1910s, by the size of the girl’s hair bow.

Real-life reindeer can look awful and deformed as well, particularly after their antlers have reached full size, and they start scraping the velvet (skin covering) off to expose the bone. Even more awful, the special groups of cells, called pedicles, that grow the antlers are a kind of benign bone cancer.

Say what?

You’re looking at RAW BONE here, folks… RAW BONE. The reddish color later fades of off-white.

Injuries to the head can disturb these groups of cells, which lie all over the skull and not just the crown, leading to antlers growing in places where they shouldn’t, like into this deer’s eye and mouth, so he couldn’t see and couldn’t eat.

There are likely equally gruesome anomalies in reindeer antlers, which vary according to subspecies. The taller ones  can also serve as Christmas tree substitutes.

Robotic reindeer don’t have these problems. But they can be creepy as well, especially when being serviced.

But Rudolph & Co. being what they are — cuddly epitomes of Christmas spirit — plenty of artists have subverted them, turning them into aliens, zombies, and demons.

Santa’s Reindeer, by Velvetcat

Randolph the Undead Reindeer

Doberman reindeer?

Dark Christmas

Worldbuilding Wednesday 12/2/20: States of Confusion (Gulf Coast)

States may not be able to change their names without a lot of legislature, but it’s possible to change their flag.

Mississippi was just fine with this state flag for 126 years, even though it featured the Confederate flag that in recent years has gone from being a symbol of rebel pride to racist tyranny. This year legislature was pushed through in the state capitol to change it, in favor of his design.

There’s a lot to be happy about here, design wise. It’s clean, modern, and bold, highlighting the magnolia as a symbol of hope and hospitality while the stars reference Mississippi’s order in being admitted as a state (#20) to the union. The gold star at top represents the native tribes of the area. The states bordering the Gulf of Mexico — Alabama, Lousiana, Mississippi, Florida (I’ll reserve Texas for another region) —  have always had a backward rep in the US, which is too bad, but perhaps this new design will lead to a rebirth and rebranding.

Flags for the other Gulf states remain the same. Alabama’s is very simple, a plain white field with a red cross, while Lousiana has one of the most strange, a blue field with a white pelican sitting on a nest, tearing open her breastfeathers  to feed her nestlings on blood. This has absolutely no basis in nature and is based on depictions of the animal from Medieval bestiaries, and we know how wacky they were. I think Lousiana may be the next candidate for a redesign, spreading false zoology like that.

Florida’s flag depicts its state seal, but it also boasts the “micro-nation” of the Conch Republic, which encompasses the Florida Keys. I think its flag is neater and more distinctive than its parent state’s. There’s a blazing sun, a shell, and depictions of both the Northern and Southern cross, both of which are visible at its latitude.

Despite it being tongue-in-cheek, people in Florida take the Conch Republic very seriously.

In some other reality, these states may have had names like these.

 

Alternate Names for the Gulf States

Mississippi

Mannijoppo

Yischinotta

Micheskippi

Misgracilli

Nisbellaggi

Missvaulti

Modcatrissi

Misstillippi

Alabama

Anabami

Ajamba

Elamba

Echibobo

Aloubule

Esubassa

Alebame

Olabesa

Lousiana

Loidonia

Louriane

Lysianna

Chatougha

Luthiana

Jolorbainu

Lesirotho

Troutiana

Florida

Floanada

Fireju

Flochida

Flomiza

Florschau

Flosida

Fonongo

Fassonida

 

Mexipulp Man-Eating Plant

Illustration for a Mexican pulp magazine of the 1970s. Sensational, amateurish, colorful, and likely quick to execute in gouache or poster paint. I like the paint-by-numbers quality of it.