It Came from the Closet [Review]

It Came from the Closet –
Queer Reflections on Horror

Edited by Joe Vallese
The Feminist Press, 2022

Time to squeeze in one more book review for October!

It Came from the Closet is a collection of essays by LGBTQ writers about their favorite horror movie and why they like it. That it scares them isn’t always the reason. In most of these essays it’s because they find some sympathy with the monster, or see in them some relation to their sexuality. In others, the movie’s protagonists are cited, the lens through which the movie may be given a queer interpretation.

As such I’m not really the intended audience, but I enjoyed reading most of these anyway for the writers’ particular take.

For example, S. Trimble’s essay on The Exorcist focuses not on the esoteric rituals of Catholicism but on Regan, the 12-year-old girl who becomes possessed. She goes from being an innocent pre-teen to a powerful (albeit demon-possessed) adult who can do exactly what she wants – cussing, masturbating, and pissing off (literally) the adults in her life, yet she’s being continuously quashed by the authoritative adult males of the movie. The doctor, the therapists, and the priests all want her to act more infantile and ladylike; the movie becomes a feminist parable. It’s a plausible reading.

More than one writer was enamored by the slasher genre — there were pieces on Friday the 13th (Jason) Sleepaway Camp (Angela) and Nightmare on Elm Street (Freddy Krueger). I never liked that kind of horror, yet the essays were enlightening for me. What I got out of all this in the end was how horror, more than any other kind of genre, acts as a way for these folks to process their feelings of being different and feeling alone in that difference. (A fair amount came from rural and ultra-religious backgrounds.)

The book was published in 2022 when wokeness was near its height. If you’ve got no time for that, be aware there’s matter-of-fact references to various sexual kinks, fetishes, labels, and communities that can be annoying. I’d rather not have heard about one writer’s confession he likes to have sex with overweight gay men he has belly-pushing contests with. I mean, that’s his kink to proclaim, but also one for readers — all readers — to judge.

And I also feel I must comment on a gay male trope I see a lot of in coming-of-age essays. That is, the encounter of the writer, as a gay male child, with an adult male who tries to molest them, as if “seeing” the gayness in them and (the writer thinks) wanting to initiate them into that world. This is a conceit I’ve got a serious problem with. Frankly, no, the molester is not to rescue you; they’re merely looking for a convenient victim and know diddly-squat about your inner secrets. That the writer has regrets about turning them down is more horrible to me than any amount of monsters from this book. It’s child abuse and predation.

 

Worldbuilding Wednesday 10/30/24: Mummies

Universal’s The Mummy, 1932

The 1930s and 1940s were a golden age for horror movies AND graphic design for horror movie posters. Look at the color, the composition,  the pleasing mix of typefaces in the poster above! It’s gorgeous.

Which brings me to the subject of mummies.

Mummies are part of the rarefied classic movie monster club that includes Dracula, the Wolfman, and Frankenstein’s monster. Universal movies all, and subjects of a failed 2010s attempt to bring them into the modern age as an interconnected movie franchise. The concept lacked legs, though it gave us the stunning re-visualization below.

The Mummy, 2017. That’s Sofia Boutella in the title role as cursed Princess Ahmanet.

The original Mummy was about the discovery of the tomb of High Priest Imhotep by a British expedition. (King Tut’s tomb was found a scant ten years before and was still much in the news.) The expedition’s leader reads an ancient scroll he finds, bringing Imhotep back to life, and promptly goes insane. Ten years later, Imhotep, now in the guise of a modern Egyptian historian, sees a woman he believes is the incarnation of his lost love Princess Anck-es-en-Amon, with whom he carried on a forbidden affair. She also happens to be the love interest of Frank, the son of the original expedition’s doctor.

Unlike the Frankenstein and Wolfman movies, The Mummy had an obvious sexual aspect. It was also the only Universal monster movie that had a script co-written by a woman: Nina Wilcox Putnam.  The theme of romantic predator and prey was similar to that of Dracula, but unlike Dracula’s dreary gothic setting, the Egypt of The Mummy was colorful, exotic and sensual.  A 2001 sequel called The Mummy Returns even featured a duel-to-the-death between two female characters (Rachel Weisz and Patricia Velasquez) wearing skimpy clothing and golden masks, armed with swords in each hand. But, back to the plotline of the original.

Imhotep kidnaps the love interest and chaos ensures as her would-be male rescuers find themselves out of their league. Going against the usual burger and fries of helpless victimhood, she saves herself by praying to a statue of Isis in the mummy’s tomb. The statue emits a beam of light that ignites Imhotep and burns him to death in spectacular fashion.

The 2017 reboot, in contrast, featured a male ingenue and a female mummy. Ahmanet was a Egyptian princess who was cursed and mummified alive, coming back to life with black, branded symbols on her face and an ability to generate a freaky extra pupil in her eye that coincides with her telekinetic powers. She seeks a magic dagger that will reincarnate the Egyptian god Set into the body of the assholish explorer (Tom Cruise) who discovered her tomb, but winds up captured, chained, and experimented on by Dr. Jekyll. Yeah, big question mark there. There’s a wild scene where, hanging from the laboratory ceiling seemingly by her vagina, she turns into a frenzied human spider in her struggles to escape.

I saw the movie, and though it wasn’t very scary or involving, I did enjoy its visual style. Overall it was hard to make a “hot Goth chick” (as one reviewer said) truly terrifying without rendering her not hot, and perhaps that was the reason for the movie’s failure, along with its convoluted plot.

One thing all the Mummy movies have in common, though, is their Egyptian setting and Egyptian names. So here’s a list for your own version of this movie monster.

 

Mummy Names (Egyptian only)

The Woman of Apep

Queen Ahnemshet

Princess Meerti

The Cheetah Prince

The Blasphemous Scorpion

High Priest Senekh

The Leopard Queen

Nephenit the Pharaoh

The White Charioteer

Umn the Liar

The Crocodile Poacher

Sisterhood of the Ka

King Khameq

Queen Sheshilmem

The Slave of Tiboros

General Gebeq

 

AI Art Adventures: Homemade Halloween Costumes

Stoner Baby Shark costume

In 2018 and 2020 I posted lists of randomly generated Halloween costumes and I thought it would be fun this year to see what Midjourney came up with for those prompts.

Most were variations on ” [person]  dressed as a [randomly generated thing] , homemade costume,  candid, casual photo, Halloween setting –c 15″. The –c is there to add a little off-kilter realism to prevent things from looking too neat.

Row 1: Mermaid Clown, Proud Boy Aerobics Instructor.

Row 2: Robot Corgi, Unicorn Doctor.

Row 3: Riot Grrl Flapper, Redneck Batman.

Row 4: Baby Death Metal Guitarist, Donut Bitten by Ruth Bader Ginsburg.

(What’s with me and Ruth Bader Ginsburg, you ask?)

Overall an excellent job for generating off-kilter Halloween costumes that are clearly handmade! Only glitch was the AI translating “Proud boy” as “(Gay) Pride boy” hence the rainbow crop top.

I was surprised by the AI’s creative choices, like the doughnut girl dressed in a pink fuzzy onesie that mimics the doughnut’s frosting and a building that looks like the White House behind her. (I had specified “college campus.”) Note that the Death Metal baby was supplied with an equally black stroller, and the dirty, hairy exposed chest on the redneck Batman.

Passing Obsessions 10-24

 

The Chefs of Culinary Class Wars face off.

Culinary Class Wars on Netflix aims to popularize Korean cooking with a hyper-competititve, grueling reality show challenge between master chefs.

In that vein, what is Bibimbap?

Ursula K. LeGuin criticizes J. K. Rowling for using her “Magic School” concept. Well, yeah, more people shoulda said this.

And shares her thoughts on gendered writing.

The wild and wonderful world of playing and tarot cards.

Manuscript Wish List details what literary agents wish they had on their desks.

Worldbuilding Wednesday 10/23/24: Horror Movie Antagonists

Flamboyant vampire Vladislav the Poker (Jemaine Clement), based on the Romanian nobleman Vlad Tepes who was the inspiration for Dracula, crashes a party in What We Do in the Shadows.

As it’s turning towards Halloween, I thought I’d do a post on second and third-tier horror movie antagonists. The human kind, not monsters.

There are many versions of Dracula, The Wolfman, and Mummy and even more imitators. From the get-go, the Silent Movie era spawned Count Orlok (Nosferatu, 1922) an adaptation of Bram Stoker’s Dracula which caused a copyright disagreement with the Bram Stoker estate. There was also Count Yorga, Barnabas Collins, Blackula, Deafula (yes) and the bloodsucking housemates of Taika Watiti’s mockumentary  What We Do in the Shadows. Mad scientists in the Dr. Frankenstein mold also had their day, along with various witches and creepy housekeepers, debauched aristocracy, and, in the past few decades, serial killers with deceptively friendly names like Norman, Freddy and Jason. But for this post I’m going to stick to the classics.

Here’s a set for your own use courtesy of randomgen.

 

Horror Movie Antagonists

Dr. Neurocypher

The Pallid Wyrm

Baron von Oculus

Count Angulus

The Yellow Saint

Lady Blamora

Lady of the Pale Arms

Princess Asheeba

Madame Scorpina

Vassa the Tyrant

Lord and Lady Traumont

Count Zenula

Queen Hemiza

Marquessa d’Angezon

Senora Rosa del Carmenia

The Duke of Azlau

Dr. Phantasmos

Comte d’Hemorais

 

Y/N [Reading Challenge 2024]

American cover, top; British edition, below. I prefer the British one.

Y/N

by Esther Li
Penguin Random House, 2024
[ #23  Out of the park on first at-bat: A debut ]

Update on Authors Watercooler Reading Challenge 2024. I wasn’t getting anywhere with my paranormal pick, The Death of the Necromancer by Martha Welles. Who, unknown to me when I picked it in January, also wrote the Murderbot series. But, the truth is, I had to drop it for something else. Which is odd because it’s normally the type of fantasy novel I like: a alternate-world Europe (specifically, France), lots of interesting characters, magic and sorcerers, a revenge plot. I enjoyed the writing style. But I also didn’t have the time or inclination to sink into it. It was missing something for me… passion, maybe? A dash of shameless bad taste?

So, my new pick comes from a different category, #22 Out of the park on first at-bat: Y/N, by Esther Li. I’ve been wanting to read it for a while and it came up in my library availability list. It’s about a woman who becomes obsessed with a Korean Boy Band member and promised meta commentary on fanfics, Y/N fanfics, and Korean boy bands. In my world a guaranteed recipe for success.

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Fanfic Warning Labels

I was waiting for the right time to post this. Can be applied to non-fanfic writing as well.

The Convoluted World of Ruwenda

The book that started it all. Cover art by Mark Harrison, who nailed the essence of the story the best.

Technically its name is “The World of the Three Moons” but the country the series revolves around is called Ruwenda, so I’m going call the world Ruwenda as well, similar to how “Narnia” refers to both Narnia the country and Narnia the greater world around it. The purpose of this post is to give some clarification about the review I wrote for Andre Norton’s Golden Trillium, here.

To reiterate:

The Trillium series of fantasy novels was born in 1989 at the request of literary agent Uwe Luserke who was interested in representing a book penned by three female, well-respected, classic SF writers. Those were Julian May, Marion Zimmer Bradley, and Andre Norton, all of whom were still actively writing in the 1980s. I’m giving links in the names in case you don’t know who they are, or were, as they’re deceased now.

May wrote the initial treatment, a novel that was never published, and from it, each writer took one of the three main characters and rewrote it from their chosen character’s point of view, trading off the chapters. Each character fit the writers’ typical protagonist: powerful yet self-doubting, for Bradley; a hot-tempered Amazon, for Norton; and a sensible yet cozy traditional female for May. It was a bold experiment.

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Worldbuilding Wednesday 10/16/24: Birds of Prey

Sulawesi Serpent Eagle, by Joseph Wolf

When the average person thinks of “birds of prey” or “raptors” eagles, hawks, and falcons come to mind. Owls are raptors too, despite their physical differences from these species.

But there’s much more to this family — vultures, condors, buzzards, harriers, kites. I was surprised to discover in doing research for this post that there are species out there even I’d never heard of: Harrier-hawks, merlins, bazas, honey-buzzards.

Want a unique raptor for your writing purposes?

 

Birds of Prey

Highlands Kite

Scrub Hawk

White-chinned Falconet

Brown Mountain Kite

Bush Butter Owl

Tonahee Falcon

Lion-headed Hawklet

Grassknocker Honey-buzzard

Jacaronga

Monk Eagle

Cat-faced Harrier

Oderbach’s Gyrfalcon

Rusk’s Sea Eagle

Lark Kestrel

Buff-faced Buzzard

Harlequin Falcon

Dusky Goshawk

Vinestriker

Musket Hawk

Rice Paddy Harrier-hawk

 

Golden Trillium [Review]

Golden Trillium

by Andre Norton
Bantam Books, 1993

Golden Trillium is the third book in the Trillium series of fantasy novels, which debuted, with much fanfare, in 1990 with Black Trillium. Since that’s over 30 years ago, I’ll recap the project here.

Three respected female writers of classic SFF, Marion Zimmer Bradley, Andre Norton, and Julian May, were approached by a literary agent to jointly write a SFF novel. May authored the original novel, an outline of sorts, which was about a set of royal triplets who must save their beleaguered kingdom. The idea was to rewrite it, with each writer taking on the POV of their chosen princess: Haramis, the cold but talented mage written by Bradley; Khadiya, the hot-headed warrioress and lover of nature, by Norton; and Anigel, sweet and home-oriented, but with a steely will, by May.

It seemed a project destined for success. The world these authors created is a science-fantasy one with magic and obscure technology that might as well be magic. The location is a planet coming out of its last glaciation with the central part of its continent still wild and covered by ice. Various lands exist around the borders as well as two pre-human, Ewok-like races with psychic powers. Ruwenda, the kingdom of the princesses, is a swampy land of temperate bayous and canals. It’s well-detailed and almost real, the best part of the book. In fact the worldbuilding was the best part, but a concept does not a satisfying novel make.

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