The medium of dance calls for a different approach to the character. In the ballet version of The Lion, the Witch, and the Wardrobe, the characters do not speak and convey motion only with their bodies. This Aslan has a more catlike costume, but one that can let him move freely, at least as well …
Magic is everywhere in Narnia; yet the characters don’t use it in the way the Harry Potter kids use it, or even how a party in a fantasy RPG would use it. Only in the first book is magic used fluently and for purpose by the main characters, in form of Peter’s sword and shield, …
In Part I we got to see a few examples of a puppet Aslan that served as the character in a staged version; now I’ll talk about the human-actor Aslan. Though puppet Aslan has the advantage of looking grand and mystical — especially accompanied by specialty lighting and sound effects — its use limits Aslan …
When comparing Tolkien to Lewis, Lewis wins in the theatrical department. Every year, around the world, theater groups are tackling The Lion, the Witch, and the Wardrobe, creating different interpretations of the same text by their choices of costume, casting, lighting and sets. I can’t see anyone staging The Fellowship of the Ring the same …
In contrast to Narnia’s monotheism and its “true” God, Aslan, the desert nation of Calormen was polytheistic. Three gods are mentioned: Tash, Zardeenah, and Azaroth, all referenced in the book The Horse and His Boy, which was written by Lewis after The Voyage of the Dawn Treader, but published later. HHB was Lewis’s ode to …
The Lion lies in his lair in the perpendicular face of a low cliff—for he is carved from the living rock of the cliff. His size is colossal, his attitude is noble. His head is bowed, the broken spear is sticking in his shoulder, his protecting paw rests upon the lilies of France. Vines hang …
As I wrote in my previous post, Queen Swanwhite is something of an oddity, in Narnian terms. The reader hears about her only through the comments of another character, unlike, say, Ram the Great and King Erlian, two other characters the reader never meets but receive a mention from Lewis-the-narrator with the authorial weight that …
[Jewel] spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. This …
I haven’t heard much about campaign settings based in Narnia, as opposed to those set in Middle-Earth. Something about Narnia resists this, either the religosity, or the set-in-stone nature of the plot. But if someone did, here is some magic that might be used there. Narnian Magic for an RPG Cry of Bacchus: Allows …